Online Art Gallery Exhibitions At VR-All-Art
Explore virtual art gallery exhibitions - no hardware required. Galleries can also create VR exhibitions and showcase art in Virtual Reality.
Composite artistic relations created as a product of the study and influence of physical theories on fluid dynamics, subatomic phenomena, theories of refraction, cybernetics and interventional combinatorics set a paradoxical mix of organized chaos that gradually summarizes the constructive elements of the offered scene, as well as all features of decoration and functions. The concurrence in the simultaneous painting processing and drawing principle of dense concentration of line relations has the goal of emphasizing the destabilization of perception during rotational motion by using visual methods of experimental electromagnetic interactions and wave-transmitterings. The linear approach to the cyclic movement and the illusion of rotational motion on a static surface known from the methodology of futurism and later op-art, leads to the conceptual challenge of the inert position of classical drawing, which is generated on a formal-stylistic level through the representation of moving images, although limited by the conventional framework of the classical medium. With this series of drawings and paintings, the author presents kinetic visions of the symbolic whirlpool as a platform for universal confrontation by studying the basics of acceleration and aerodynamic resistance, with the intention of artistically integrating resulting movements, rhythms and vibrations. The interference vortex of re-examined rhythmicity leads the whole depiction by absorbing the surrounding visual elements into its own violent organization of mass, volume, oscillations, as well as the reciprocity of contrasts, while using the seemingly limited mobility of drawing method as a mean of shaping and expressing opinions and attitude about the exact composition and provoking the formulation of the question about the problem and/or the phenomenon of the resistance itself as an originator and a necessity.View exhibition
Visconti Fine Art - Collection
Valério Adami was born in Bologna, Italy on March 17th in 1935. He developed an interest in painting at an early age, and at the young age of 16, he gets accepted to the Accademia di Brera in Milan, where he pursues his studies until 1954. At the age of 20, he already has the chance to visit Paris where he meets both Roberto Matta and Wilfredo Lam. Both of the painters encourage him to develop his talents as an artist. Between the years of 1955 and 1965, Adami constantly travels between Italy, Paris and other, mainly European cities, interrupted by brief visits to New York, South America, and India. His first one-man exhibition is held in Milan in 1959, and since then Adami has held numerous exhibitions all around the world. One of the most prominent of these was his full-scale retrospective held at the Musee National d’Art Moderne at the Pompidou Centre in Paris in 1985. Adami also realized the feature film “Holidays in the desert” together with his brother Giancarlo. In 1978/79 he creates paintings with primarily mythological themes. As of 1984, his paintings are not dated anymore. Adami has managed to evolve his own iconography, an ingenious pictorial language that embraces both past and present, and within whose frontiers strange creatures keep company with famous faces from history: the author James Joyce, the French Revolutionary politician Robespierre, and the composer Gustav Mahler. Adami’s art also teems with figures from the great works of literature such as the knight Don Quixote with his faithful companion, Sancho Panza and the young Prince Hamlet preoccupied with gloomy thoughts of suicide outside Kronborg Castle in Elsinore. Visconti Fine Art has collaborated with Adami on various occasions, both through Editions and at various art fairs, where Adami was exhibited, around the world. One of these Editions is the SPORT AND ART, which was initiated in 1991 between Fascination “The Gallery of Modern Art” in Switzerland and Visconti Fine Art. Five internationally renowned artists, one of them being Valerio Adami (Italy) have created a limited edition of artworks, especially for SPORT AND ART.
PASSION AND RESTRAINT
Curated by Virginia Alberdi
In ‘Passion and Restraint’ I choose to present two young painters – Adislen Reyes Pino (Havana, 1984) and Lancelot Alonso Rodríguez (Havana, 1986) – who apply color in a very distinctive way: She, with soft, pastel tones, and he, with full intensity. The work of both revolves around eroticism. This common focus is not unusual, since many artists from different generations have covered it with greater or lesser intensity; however, it allows me to introduce young creators who deal with a universal topic without turning it obscene and allowing all audiences to approach it as inherent to human nature. In my opinion, Adislen and Lancelot are two of the most interesting artists among the many that strive to establish themselves in the contemporary Cuban art scene. This curatorial project should be regarded as a snapshot that freezes one moment in the evolution of two artists whose youth, in creative terms, advances toward stages of maturity. Adislen and Lancelot are just a pick out of a complex, vast, and promising movement. Today’s young Cuban artists, have much to offer. VIRGINIA ALBERDI, who lives and works in Havana, Cuba, is an art critic and currently editor of the Artecubano Publishing House. Bachelor in Literature, she has been a professor and curator, and collaborates regularly with several specialized publications and galleries.