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National Museum in Belgrade

Trebenište

100 godina od otkrica

U selu Gorenci kod Trebenista, u blizini Ohridskog jezera, na polju zvanom Grobat, tokom zavrsnih operacija Prvog svetskog rata 1918. godine neobicnim spletom okolnosti pronadjeni su grobovi sa jedinstvenim arheoloskim dragocenostima. Nekropola je u periodu od 1930. do 1972. godine u vise navrata istrazivana. Ukupno je otkriveno 56 grobova i dva groba podno tvrdjave Trebenisko kale, od kojih po sadrzaju i znacaju 13 pripada tzv. bogatim dok 45 siromasnim grobovima. Nalazi sa ove nekropole danas se cuvaju u muzejima u Sofiji, Beogradu, Skoplju i Ohridu. Povodom stogodisnjice od otkrica nekropole Trebeniste kraj Ohridskog jezera, Narodni muzej u Beogradu, Nacionalni arheoloski institut sa muzejem Bugarske akademije nauka i Arheoloski muzej Republike Severne Makedonije u saradnji sa Muzejem u Ohridu priredili su monografiju 100 Years of Trebeniste (100 godina Trebeniste) koja je ujedno i katalog istoimene izlozbe.

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National Museum in Belgrade

Pavle "Paja" Jovanović

„Slike Balkana"

Slavu i popularnost slikara ljudi i običaja na Balkanu Pavle Paja Jovanovic je stekao vrlo rano, ne navrsivsi ni tridesetu godinu zivota. Zahvaljujući nesumnjivom daru i velikom radu, toliko i probudjenom interesovanju Evrope za Orijentom u XIX veku, brzo je stekao mnogo poklonika sirom sveta. Delo Paje Jovanovica je u svakom pogledu ogromno. Na njegovim poznatim zanr-scenama iz zivota balkanskih naroda i istorijskim kompozicijama vaspitavale su se generacije u proslosti. One su najsnaznije odjeknule u narodu i probudile nacionalna osecanja upravo u godinama koje su prethodile Balkanskim ratovima i Prvom svetskom ratu. U tom pogledu Paja Jovanovic je bio covek vremena u kome je ziveo i stvarao. Svestan da je tada pripadao jednom skromnom broju medjunarodno priznatih srpskih slikara, prihvatio je ulogu umetnika koji je, ravnopravno sa umetnicima drugih nacionalnosti u Austro-Ugarskoj monarhiji, opravdao etnicku i kulturnu samosvojnost Srba.

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National Museum in Belgrade

Vlaho Bukovac

Selected Artworks

Born in July 1855, the Croatian artist began his career in France where he painted in what is described as a “sugary” realistic style and gained great success at the Paris Salon. In 1887, Bukovac created what is possibly his best-known work, a nude Une Fleur (A Flower). The painting was well-received not only in France at the time, but it garnered numerous reviews and publications during his lifetime. Over the years he spent actively creating art, Bukovac’s style saw numerous changes – he was no stranger to stepping out of the set boundaries and rules dictated by the Salon. Both his life and work were nothing short of eclectic. The National Museum of Serbia keeps twenty-three of Vlaho Bukovac’s paintings. Between the portrait of Queen Natalie of Serbia (Natalija Obrenovic) made in 1882 and the portrait of King Alexander I (Aleksandar I Karadjordjevic) painted just before Bukovac’s death, there is a humble but stylistically and thematically diverse gallery of the artist’s oeuvre. Based on the established chronology and defined formative categories in painting, Bukovac’s artworks from the collection of the National Museum in Belgrade encompass almost all of the phases in his creative life – academism, realism, impressionism and symbolism, and as such they are represented for the first time in one place.

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Arcade Gallery

Old Masters

Selected works of art

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