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Acrylic on canvas

150 x 125 cm

Not For Sale

ANA KRANJC, selected by Anamarija Stibij Šajn. „EMBODIMENT OF WILDLIFE IX“, acrilic on canvas, 190 x 125 cm, 2020. The sculptor Anja Kranjc always surprises again and again, for several reasons, because she is tirelessly written about research and experimentation, because she so sovereignly passes between different fields of art, from sculpture, painting, drawing, illustration, graphics and animation, because within the sculptural medium she connects conventionally with unconventional and because her works are so thoughtful, in-depth, imbued with her own philosophy of life and existentialist orientation. The author puts man at the center of her creative attention - herself and her loved ones, her family. It reveals views into private, moreover, into inner life, and also captures a broader social reflection in them. In a materialized society, he discovers the individual, his uniqueness and uniqueness, the role and mission he plays or for which he matures. It also touches on human fragility and transience. In the sculptural medium, he explores the presentative possibilities of sculpture and raises them from classical to completely modern, unconventional, marked by a strong personal note. In the field of painting, she is gentle, subtle and illustrative, but behind such an image she hides the depth of her thoughts, awareness and self-awareness. She is interested in man's eternal relationship to nature, which leads him to a personal, intimate state. In the latest paintings, this relationship is particularly prominent. In the peace and quiet of nature, there is also a path to personal depths. Indirectly, he reveals them with a stylized, authorially articulated image of a girl (woman), which he places in the forest ecosystem, among the mighty forms of tree trunks, and in an artistic sense in the atmosphere of gentle, harmonious, transparent multilayered layers. . The design articulation of her paintings belongs to a fluid, clear, formative drawing. We get to know the author's lovely heroine, and with that we only get to know her through the language of postures, movements and details. The mood of the scenes is marked by poeticism, even though beneath such a surface reside deep thoughts of the transition made possible by openness and love.



Serbia - Montenegro - Croatia - Slovenia - North Macedonia

This exhibition gathers twenty-five female visual artists from the region of Western Balkans, that is territories of Serbia, Montenegro, Croatia, Slovenia and North Macedonia. Through liaison of female curators and female artists we raise awareness of the female angle of observation and reaction to reality, in the creativity field of life. In direct contact with artistic processes, living creative energy, the role of us curators is in the process of the observation, gathering, capturing the present and documenting it. The two exhibitions „Women about women“ (touring and residential), both in real and virtual spaces, in the physical reality and virtual reality will be testimony of that. Why woman? Because only a woman knows what and how she feels. Why about woman? Because a woman is a subject not an object. Why art? Because it is closest to the truth. Why region? Because of the need to network. Why project? To testify of present and carry the message. The topic of women is not new. Throughout the history of art, women have been and remain an inexhaustible motif. The inspiration of a woman in a specific way carries antipodes and rests somewhere on the line between borderline feelings towards her. Woman is a living organism and the best witness of our existence. Time flows and thoughts change, and so does the role of women in society. This exhibition is dedicated to the topic of women, yet by women. It raises the question from the inside to the outside, about of her inner states of being. That is why it is an immediate and concrete, raw theme that opens up to the observer in direct communication. It is not a close form of one’s vision but a moment of expressing a woman’s emotion in the process. Noting that the topic of women is very present in the art now, the artistic need to express women as active participants, and not the subject of worship or hatred, beauty or ugliness, lust or fear, this exhibition seeks to affirm the new context of observation from reality, not just from theory. Focusing on the above, it aims to provide insight into the female aspects of creativity today, to testify and document the present and activate the question of the extent to which the role of women in art is shaped by society and vice versa, how society affects women’s creativity. We are witnesses that there have always been women who appear as individuals and leave an indelible mark in history and society, and this exhibition carries a message from the present. Exhibition „Women about women“ is a part of the international project with multiple activities, implying the direct connection between art and social reality. The project starts from art because art is closest to the truth and most open to the experience and further communication. The selection of artists clearly indicates a combination of different forms of artistic expression from the same basis – the echo of the inner female being and the need to release the power she carries within herself, something as artistically shaped moan, scream, thoughts from which the idea was borned and formed the concept. In accordance with contemporary trends and new media the artists express themselves in a unique way in various media, from painting and drawing, through photography and sculpture forms and sculpture installation, videos to performance. Heterogeneity of visual expression is an inevitable phenomenon of the modern age, as well as the diversity of media in which or with which they are expressed. In addition to the media, diversity is also visible in different approach to the women’s identities in contemporary art, from forms through abstraction to the feminist artistic practices. This exhibition tends to give some answers to that. This first of two exhibitions Woman about woman includes artists pre-selected by non-institutional curators with years of experiences of curating practice from Serbia, Montenegro, North Macedonia, Croatia and Slovenia. The selection for the future second exhibition will happen via the open call and will include more territory from European Union. Biljana Jotić, art director and initiator Selectors: Biljana Jotić, Serbia Sonja Švec Španjol, Croatia Nela Gligorović, Montenegro Anamarija Stibij Šajn, Slovenia Shquipe Mehmeti, North Macedonia

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