THE EMBODIMENT OF WILDLIFE
Acrylic on canvas
150 x 125 cm
Not For Sale
ANA KRANJC, selected by Anamarija Stibij Šajn. „EMBODIMENT OF WILDLIFE IX“, acrilic on canvas, 190 x 125 cm, 2020. The sculptor Anja Kranjc always surprises again and again, for several reasons, because she is tirelessly written about research and experimentation, because she so sovereignly passes between different fields of art, from sculpture, painting, drawing, illustration, graphics and animation, because within the sculptural medium she connects conventionally with unconventional and because her works are so thoughtful, in-depth, imbued with her own philosophy of life and existentialist orientation. The author puts man at the center of her creative attention - herself and her loved ones, her family. It reveals views into private, moreover, into inner life, and also captures a broader social reflection in them. In a materialized society, he discovers the individual, his uniqueness and uniqueness, the role and mission he plays or for which he matures. It also touches on human fragility and transience. In the sculptural medium, he explores the presentative possibilities of sculpture and raises them from classical to completely modern, unconventional, marked by a strong personal note. In the field of painting, she is gentle, subtle and illustrative, but behind such an image she hides the depth of her thoughts, awareness and self-awareness. She is interested in man's eternal relationship to nature, which leads him to a personal, intimate state. In the latest paintings, this relationship is particularly prominent. In the peace and quiet of nature, there is also a path to personal depths. Indirectly, he reveals them with a stylized, authorially articulated image of a girl (woman), which he places in the forest ecosystem, among the mighty forms of tree trunks, and in an artistic sense in the atmosphere of gentle, harmonious, transparent multilayered layers. . The design articulation of her paintings belongs to a fluid, clear, formative drawing. We get to know the author's lovely heroine, and with that we only get to know her through the language of postures, movements and details. The mood of the scenes is marked by poeticism, even though beneath such a surface reside deep thoughts of the transition made possible by openness and love.