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Self-Portrait with a Straw Hat (obverse: The Potato Peeler)

Oil on canvas

31.8 x 40.6 cm

Not For Sale

Van Gogh produced more than twenty self-portraits during his Parisian sojourn (1886–88). Short of funds but determined nevertheless to hone his skills as a figure painter, he became his own best sitter: "I purposely bought a good enough mirror to work from myself, for want of a model." This picture, which shows the artist's awareness of Neo-Impressionist technique and color theory, is one of several that are painted on the reverse of an earlier peasant study.

The Metropolitan Museum of Art


The Metropolitan Museum of Art

Vincent Wilien van Gogh (30 March 1853 – 29 July 1890) was a Dutch post-impressionist painter. His work had a great influence on modern art because of its striking colours and emotional power. He suffered from delusions and fits of mental illness. When he was 37, he died by committing suicide. When he was a young man, Van Gogh worked for a company of art dealers. He traveled between The Hague, London and Paris. After that, he taught in England. He then wanted to become a pastor and spread the Gospel, and from 1879 he worked as a missionary in a mining place in Belgium. He began drawing the people there, and in 1885, he painted his first important work, The Potato Eaters. He usually painted in dark colors at this time. In March 1886, he moved to Paris and found out about the French impressionists. Later, he moved to the south of France, and the colors in his art became brighter. His special style of art was developed and later fully grown during the time he stayed in Arles in 1888. Artworks in this exhibition are part of the collection of The Metropolitan Museum of Art.

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Arcade Gallery

Old Masters

Selected works of art

Arcade Gallery presents an electric collection of public domain art pieces that most undoubtedly belong to the invaluable treasures of art history. By exhibiting these old masters and granting access to this cultural heritage for the public, VR-All-Art demonstrates its power in the process of democratizing the art and culture arena.

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