MY DEARS / ADORNO'S letter to his parents
100 x 72 cm
Not For Sale
VESNA VESIĆ, selected by Biljana Jotić. „MY DEARS/ADORNO’S letter to his parents“ (from the series Tender Things - conceptual and useful), installation, hand-felted wool, 160 x 200 cm, 2018. Theodor V. Adorno left Germany in 1934 and moved to America, where he became friend with outstanding philosophers, artists, scientists and theorists, who shared the destiny of emigrants from Nazi Germany. The expulsion left a strong mark on him. Feeling as “expelled from Eden”, chased away from careless childhood and yours, through his correspondence with his parents he evokes the images of that long lost yet in memory strongly present paradise, nurturing the intimate, tender dimension of togetherness, love and warmth. His sparkling, fictional, dadaistic language in a poem to parents shows a different dimension of Adorno’s personality, previously unknown to the public, intimate, childish, exciting, vivacious. He writes to them regularly, reporting on his work, collaborations with Max Horkheimer, Thomas Mann and Hanns Eisler, about friends, acquaintances and Hollywood stars of the time, together with parties, fooling around with Charlie Chaplin and love troubles. Adorno’s letter to his parents - certainly the most open and direct he had ever written - not only give a reader an insight in the experiences that created the famous Minima Moralia, but also reflect the solidity of the relationships of his family removed from their home. At turns intellectually serious then childishly sparkling and silly, these letters testify of fight, connectedness and collaboration of all emigrants from Nazi Germany and the constant yearning for home, childhood as the place of love and bliss, homeland, Europe and times before the Nacism. Touching, loving, unsettling, disturbing. Adorno’s letter to his parents is an important document for all interested in the history of the Frankfurt School and migrations in general. * Theodor V. Adorno, a German philosopher, sociologist, psychologist, musicologist and composer, one of the most prominent representatives of critical theory of the Frankfurt School and premier 20th-century theorists of the modern societies and esthetics, deeply influenced by Marx, Nietzsche and Hegel, made a strong influence on the European new left with his critical theory of society.
Exhibitions with this piece
WOMEN ABOUT WOMEN, touring
Serbia - Montenegro - Croatia - Slovenia - North Macedonia
This exhibition gathers twenty-five female visual artists from the region of Western Balkans, that is territories of Serbia, Montenegro, Croatia, Slovenia and North Macedonia. Through liaison of female curators and female artists we raise awareness of the female angle of observation and reaction to reality, in the creativity field of life. In direct contact with artistic processes, living creative energy, the role of us curators is in the process of the observation, gathering, capturing the present and documenting it. The two exhibitions „Women about women“ (touring and residential), both in real and virtual spaces, in the physical reality and virtual reality will be testimony of that. Why woman? Because only a woman knows what and how she feels. Why about woman? Because a woman is a subject not an object. Why art? Because it is closest to the truth. Why region? Because of the need to network. Why project? To testify of present and carry the message. The topic of women is not new. Throughout the history of art, women have been and remain an inexhaustible motif. The inspiration of a woman in a specific way carries antipodes and rests somewhere on the line between borderline feelings towards her. Woman is a living organism and the best witness of our existence. Time flows and thoughts change, and so does the role of women in society. This exhibition is dedicated to the topic of women, yet by women. It raises the question from the inside to the outside, about of her inner states of being. That is why it is an immediate and concrete, raw theme that opens up to the observer in direct communication. It is not a close form of one’s vision but a moment of expressing a woman’s emotion in the process. Noting that the topic of women is very present in the art now, the artistic need to express women as active participants, and not the subject of worship or hatred, beauty or ugliness, lust or fear, this exhibition seeks to affirm the new context of observation from reality, not just from theory. Focusing on the above, it aims to provide insight into the female aspects of creativity today, to testify and document the present and activate the question of the extent to which the role of women in art is shaped by society and vice versa, how society affects women’s creativity. We are witnesses that there have always been women who appear as individuals and leave an indelible mark in history and society, and this exhibition carries a message from the present. Exhibition „Women about women“ is a part of the international project with multiple activities, implying the direct connection between art and social reality. The project starts from art because art is closest to the truth and most open to the experience and further communication. The selection of artists clearly indicates a combination of different forms of artistic expression from the same basis – the echo of the inner female being and the need to release the power she carries within herself, something as artistically shaped moan, scream, thoughts from which the idea was borned and formed the concept. In accordance with contemporary trends and new media the artists express themselves in a unique way in various media, from painting and drawing, through photography and sculpture forms and sculpture installation, videos to performance. Heterogeneity of visual expression is an inevitable phenomenon of the modern age, as well as the diversity of media in which or with which they are expressed. In addition to the media, diversity is also visible in different approach to the women’s identities in contemporary art, from forms through abstraction to the feminist artistic practices. This exhibition tends to give some answers to that. This first of two exhibitions Woman about woman includes artists pre-selected by non-institutional curators with years of experiences of curating practice from Serbia, Montenegro, North Macedonia, Croatia and Slovenia. The selection for the future second exhibition will happen via the open call and will include more territory from European Union. Biljana Jotić, art director and initiator Selectors: Biljana Jotić, Serbia Sonja Švec Španjol, Croatia Nela Gligorović, Montenegro Anamarija Stibij Šajn, Slovenia Shquipe Mehmeti, North Macedonia