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TANJA BALAC, selected by Shqipe Mehmeti. „MEMORABILIA“, video, 7'15'', 2019. An appeal is made to activity at the precise moment when perception gives rise to imitative movements which scan it, as it were, automatically. A sketch is thereby furnished to us, of which we recreate the details and the coloring by projecting into it memories more or less remote.⁠— Henry Bergson, Matter and Memory To whom does the image belong to? Does it genealogically belong to the history of existence, does it belong to the final discourse that preserved its own shapes immortalizing them through balancing distortion or is it extracted from our memories and moved to a collective similarity characteristic of the passage of time that inevitably forces us to remember… certain places we have never known. In her creative circle Tanja Balać thematizes several essential issues that relate to contemporary expression, with strongly intertwined critical thought toward symbolic freedom and the fluctuation of the individual within societal contours, their memory and perceptive innateness for self-recognition in the hypothetical cognitive space of existence. Setting the potentials of the artistic proposition, the reception and the perception of the artistic work on a higher analytical level, she reexamines the possibilities of the aesthetical, inserting unique rhetorical points, which refer, above all, to the perception of the work, semiotically woven through disseminated narrative points in an aesthetic whole. The visual diagram points to an innate approach toward the artwork and to studying it within its framework, but the same does not, however, unconditionally refer to its pre-contextual connotation. Turning inward, self-exploration in and through the artistic process, point to the necessity of one being enclosed in one’s own world, filled with memory, but, as a matter of fact, the work with its apparent hermeneutics, emerges as a reflection of the collective context. The contextual displacement of the artwork from the poetic world of the author (poiesis) into the new post-media artistic and heterogeneous cultural discourse of contemporary practices (catharsis), paints complexly stratified dynamic relations in which the extension of the idea is aimed at clean rhetorical suggestions (aesthesis). ‘[Vidocq’s] unification of the very beginning of photography with its contemporary, digital life exemplifies trajectory that photography (and cinema) has taken, culminating in a unifying aesthetic of what many call convergence’- Nataly Rajcinovska Pavleska.



Serbia - Montenegro - Croatia - Slovenia - North Macedonia

This exhibition gathers twenty-five female visual artists from the region of Western Balkans, that is territories of Serbia, Montenegro, Croatia, Slovenia and North Macedonia. Through liaison of female curators and female artists we raise awareness of the female angle of observation and reaction to reality, in the creativity field of life. In direct contact with artistic processes, living creative energy, the role of us curators is in the process of the observation, gathering, capturing the present and documenting it. The two exhibitions „Women about women“ (touring and residential), both in real and virtual spaces, in the physical reality and virtual reality will be testimony of that. Why woman? Because only a woman knows what and how she feels. Why about woman? Because a woman is a subject not an object. Why art? Because it is closest to the truth. Why region? Because of the need to network. Why project? To testify of present and carry the message. The topic of women is not new. Throughout the history of art, women have been and remain an inexhaustible motif. The inspiration of a woman in a specific way carries antipodes and rests somewhere on the line between borderline feelings towards her. Woman is a living organism and the best witness of our existence. Time flows and thoughts change, and so does the role of women in society. This exhibition is dedicated to the topic of women, yet by women. It raises the question from the inside to the outside, about of her inner states of being. That is why it is an immediate and concrete, raw theme that opens up to the observer in direct communication. It is not a close form of one’s vision but a moment of expressing a woman’s emotion in the process. Noting that the topic of women is very present in the art now, the artistic need to express women as active participants, and not the subject of worship or hatred, beauty or ugliness, lust or fear, this exhibition seeks to affirm the new context of observation from reality, not just from theory. Focusing on the above, it aims to provide insight into the female aspects of creativity today, to testify and document the present and activate the question of the extent to which the role of women in art is shaped by society and vice versa, how society affects women’s creativity. We are witnesses that there have always been women who appear as individuals and leave an indelible mark in history and society, and this exhibition carries a message from the present. Exhibition „Women about women“ is a part of the international project with multiple activities, implying the direct connection between art and social reality. The project starts from art because art is closest to the truth and most open to the experience and further communication. The selection of artists clearly indicates a combination of different forms of artistic expression from the same basis – the echo of the inner female being and the need to release the power she carries within herself, something as artistically shaped moan, scream, thoughts from which the idea was borned and formed the concept. In accordance with contemporary trends and new media the artists express themselves in a unique way in various media, from painting and drawing, through photography and sculpture forms and sculpture installation, videos to performance. Heterogeneity of visual expression is an inevitable phenomenon of the modern age, as well as the diversity of media in which or with which they are expressed. In addition to the media, diversity is also visible in different approach to the women’s identities in contemporary art, from forms through abstraction to the feminist artistic practices. This exhibition tends to give some answers to that. This first of two exhibitions Woman about woman includes artists pre-selected by non-institutional curators with years of experiences of curating practice from Serbia, Montenegro, North Macedonia, Croatia and Slovenia. The selection for the future second exhibition will happen via the open call and will include more territory from European Union. Biljana Jotić, art director and initiator Selectors: Biljana Jotić, Serbia Sonja Švec Španjol, Croatia Nela Gligorović, Montenegro Anamarija Stibij Šajn, Slovenia Shquipe Mehmeti, North Macedonia

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